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The Freedom of Speech: Perspectives in Contemporary Art in Europe conference will debate the burning issues of freedom of speech and freedom of expression in Europe. The conference will take place at Gallery Augusta on the island of Suomenlinna, Helsinki, on October 15–16, 2012.
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The OUTRO_ exhibition by Krišs Salmanis and Meta Grgurevič & Jaša Mrevlje came about under the inspiration of shared experiences of a residency at HIAP in spring 2012.

Takes on Memory & Flight Paths – the third annual summer exhibition by residency centre HIAP - Helsinki  International Artist Programme – will open to the public on Wednesday, June 20, 2012, at Gallery Augusta on the island of Suomenlinna, Helsinki. The...

Takes on Memory & Flight Paths – the third annual summer exhibition by residency centre HIAP - Helsinki  International Artist Programme – will open to the public on Wednesday, June 20, 2012, at Gallery Augusta on the island of Suomenlinna, Helsinki. The...

In collaboration with: Jaša, Otto Urpelainen.

Special thanks to: Kokeellisen elektroniikan seura, Linda Hofvander.

First Fridays is a collaboration between the many different art spaces in Amager around openings and events.

The main role in Katrīna Neiburga’s new documentary-video installation is played by a publishing house that was once run by the Communist Party.

The exhibition presents photo-collages and videos from Under the Bridge-Helsinki, a project created to generate new proposals directed towards solving the dire housing problems faced by migrant workers.

The three-day Paths Crossing workshop will take place on the island of Suomenlinna, Helsinki December 15–17, 2011.

Tina Gverović

resident at: 
the Baltic Art Center, Visby (SE)
lives in: 
Slovenia/UK
born: 
1979

My work focuses on the necessity of presenting non-objective understandings and personal experiences of place in the course of upsetting notions of place-bound identity. The reading of the work as affected by the characteristics of the local environment –historical, social, architectural– is a key issue. The work attempts to negotiate the fictions of the imaginary state apparatus or the projected image of the social and cultural nature of a place. Over the last couple of years the experience of being looked at, subjected, or represented, as an individual –irrespective of nationality or origin–, or as a person of Croatian origin, has increasingly encouraged me to explore of the process of speaking for or about others.